Panache Privee
By Design
How one very stylish event benefits many girls and boys.
By Nancy A. Ruhling

Above and below, New Canaan, CT-based photographer Monica Rich Kosann's portraits of the Kips Bay Boys & Girls will be on exhibit during the 34th Annual Kips Bay Decorator Show House.

For more than three decades, the Annual Kips Bay Decorator Show House has been Manhattan's first rite of spring. As the daffodils are popping their tiny towheads through their minklike cloaks of snow, the Show House throws off winter's chill by opening up its doors and inviting the world to the country's most glamorous and prestigious design event.

Each year, two dozen or so celebrity designers – everyone from Mario Buatta to Charlotte Moss and Thom Filicia – work their magic on an Upper East Side townhouse, creating room settings that not only raise the bar on design but also set the standard for style for years, even decades, to come.

And, by design, they do it all for the kids. The money raised – the event usually clears an average of $800,000 – is used to finance after-school and weekend programs for some 10,200 children, ages 6 through 18, in the southeast Bronx who are members of the Kips Bay Boys & Girls Club. Perhaps the most famous alum is Jennifer Lopez, who hung out at the club for three or four years when she was growing up. And national club spokesman Denzel Washington credits the Mt. Vernon, New York, club with changing his life.

“For the designers, being invited to participate is like winning an Emmy or an Oscar,” says Mrs. W. Ward Carey, who is chairperson of the Show House committee. “We do it all because we love Kips Bay, and we love the kids. Each designer gives so much; it's a family of people who care about the kids.”

This year – the Show House's 34th – the design family will include not only Buatta, who has designed rooms several times, including one for the first Show House, and Filicia, but also Moss, Susan K. Gutfreund, Katherine Newman Associates, Shaver-Melahn Studios, Richard Mishaan Design, Campion A. Platt, Larry Laslo Designs, Charles Pavarini III Design Associates, Barbara Ostrom Associates and Kondylis Design and Costas Kondylis and Partners Architects, among others.

“It's showbiz,” says Buatta, who was dubbed The Prince of Chintz and became a household name after he designed a blue-and-white bedroom for the 1984 Show House. “The designers try to do special, over-the-top things that are to be shown off. It's an incredible vehicle for the young designer to show what he or she can do because there are no constraints imposed by budgets or clients. It certainly helped launch my career.”

The five-story, approximately 20,000-square-foot neo-French Renaissance townhouse – the former ballet studio of Rebekah Harkness, whose 1960s school was known for the excellence of its male dancers – literally presents the biggest design challenge in the Show House's history: At 50 feet in width, it's twice the size of a typical Manhattan townhouse.

“Some of the rooms are 40 feet by 50 feet,” Carey says, “so we'll divide them so they are people-size. The space reads like the Guggenheim, but our rooms are square, not circular, and there's a skylight at top. It's a gorgeous space – it's divine, it's spectacular. In terms of design, it's a wow! Even if you didn't have the designers' rooms, you'd pay just to see it.”



 
A five-story, neo-French Renaissance townhouse will be the setting for the Decorator Show House.

 
 Kips Bay Decorator
 Show House Events
April 19
President's Preview and Dinner

April 24
Opening-Night Gala 

April 25 – May 23
The 34th Annual Kips Bay Decorator Show House, NYC

Kips Bay Boys & Girls Club
718.893.8600; www.kipsbay.org/show_info.html
This particular mansion's history is as rich as its architectural details. The limestone house, which is on the market for $55 million, is owned by Jaqui Safra, who comes from a banking family, and longtime companion Jean Doumanian, a film, Broadway and Off-Broadway producer whose projects have included some of Woody Allen's movies. Allen, who cut a jazz album at the house, also made it the scene of a star-studded 1979 New Year's Eve party whose guests included Robert De Niro, Sylvester Stallone, Mick Jagger and Andy Warhol. Built in 1896 for shipping tycoon Nathaniel L. McCready, it has had an illustrious set of jet-set owners, including IBM founder Thomas J. Watson. Harkness, a Standard Oil heiress, converted the space into the Harkness School of Ballet, which was open from 1964 to 1974.

The 15,000 people who travel from around the world during the 28 days the Show House is open come to get design ideas; many of them take away not only ideas but also antiques and one-of-a-kind custom furnishings that include everything from chandeliers to oil paintings that are sold in the Show House shop.

Dan Quintero, executive director of the Kips Bay Boys & Girls Club, who says the club “made the biggest impact on my life” when he was growing up in the Bronx, attributes the continued success of the Show House to its troupe of longtime loyal volunteers. “The Show House brings in about 20 percent of our operating budget,” says Quintero, whose three children are club members. “Some people have been involved for 20 or 30 years.”

They include designers like Robert Couturier and Tony Ingrao, who have been participants in the Show House and who are co-chairing this year's gala, and people like Betty Evans, Polly Fownes, Kathryn Collins and Ann Mott. And like Victoria Lindgren, who was taken by her mother to the inaugural Kips Bay Show House at age six. “My mom, Nancy Stone, was and still is on the women's committee,” says Lindgren, who is chairman of the women's committee and co-chair of the shop committee. “I would run around the house during setup, and once the Show House was open, if there was a child's room, I got to sit in it like a prop. I also would lick stamps for the invitations.”

As a child, she was captivated by all the glamour surrounding the event and its opening-night gala, which usually is attended by 600 of NewYork's social set. As an adult, she finds that the smiles on the faces of the children make it all worthwhile. That's what it's all about, she says: Watching the Show House come together and the children grow. “That's what I love about this whole thing,” she says, adding that Daniel Pacheco, last year's Youth of the Year, joined the club because his parents couldn't take care of him after school. He has just won a full scholarship to New York University. “When you volunteer, you see what goes on behind the scenes at the Show House – the before, the during and the end. It's great to see how it all comes together.”

As far as those 10,200 kids, Carey says they, her second family, make her “feel as proud of them as I do of my own grandchildren. When I go to visit them in the Bronx, I feel like they are an extension of my own home.”

For Lindgren, too, the project is personal. “I'd like to see my daughter get involved,” she says. “Last year, when she was eight, I brought her here for the first time, and I'm going to bring her again this year. She thinks it's great fun.”

Photo credits:
Black and white photos: MONICA RICH KOSANN; last photo, JURIS MARDWIG

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